LLDPDS

For amplified string quartet, flute, percussion, plants and two resonant chambers

La Legge del Principio di Sovrapposizione is a multimedia performance in which the concept of superposition is used as a peephole to observe social structures and their impact on ecosystems. “Human societies have invented an infinite number of values, practices and artifacts which are used to govern their relationships and place in society.” 

Where do we place ourselves? In relation to who do we position ourselves? Do we fully own the responsibilities of omnipotent roles that we claim for ourselves? 

The world and our place within it must be understood and navigated through models that respect and interlink biodiversity and cultural diversity, with societies capable of reforging the bonds that connect us to the environment. With a strong emphasis on individual responsibility, perhaps it is better to learn how to noticeably impact the masses, which are generally dictated by financial imperatives.

Sonically, the work can be defined as electro-acoustic music, where compositional decisions are often informed by sonographic representations and mathematical analysis of sound spectra. Focus is on the psychoacoustic concepts of the sound in a “live” environment rather than its potential semantic qualities. Superimposed layers of impulses position the audience to observe the work inside the space where harmony exists without hierarchy.

Ensamble: 
Flute – HANNAH WIRNSPERGER
Cello – MIRKKU MATTINEN
Violin – JUAN FRAN CABRERA 
Viola – KRISTJAN KANNUKENE 
Violin – YESTYN GRIFFITH 
Physical performance – SEOHWON JI
Voice – IVA BOBANOVIĆ
Concept, compositions and electronics – ANDRO MANZONI

Coloring / editing – DAVID ŠEGIĆ
Filming & spiritual animal – ÁKI FROSTASON